Lord God Almighty Thou Art Holy Maker of the Sea and Land the Universe and Skies
| "Holy, Holy, Holy! Lord God Omnipotent!" | |
|---|---|
| Hymn | |
 Reginald Heber | |
| Occasion | Trinity |
| Text | past Reginald Heber |
| Based on |
|
| Meter | xi.12.12.10 |
| Melody | "Nicaea" by John Bacchus Dykes |
| Equanimous | 1861 (1861) |
"Holy, Holy, Holy! Lord God Omnipotent!" is a Christian hymn written by the Anglican bishop Reginald Heber (1783–1826).
It is sung to the tune "Nicaea", past John Bacchus Dykes. Written during the author'southward time as vicar in Hodnet, Shropshire, England, it was outset published posthumously. Appearing in the influential Hymns Ancient and Modern, it is one of Heber's almost popular compositions, enduring into the 21st century in many Christian traditions.
Intended for use on Trinity Sunday, the text invites worshippers to bring together in praising the trinitarian deity, paraphrasing Revelation four:1–11.
History [edit]
The hymn was written in the early 1800s during Heber's time every bit vicar (1807–1823) in Hodnet, Shropshire, England, a period in which the writer was prolific, writing more than 100 hymns, many having survived to modern times.[ane] Information technology was first published posthumously in A Selection of Psalms and Hymns for the Parish Church of Banbury (Tertiary Edition, 1826), and thereafter by the writer's widow in Hymns Written and Adapted to the Weekly Church Service of the Year (1827),[2] one of the beginning hymnals to group their hymns by the liturgical occasion inside the church building yr.[three]
It was published when Anglican authorities disapproved of the singing of hymns in churches, other than metrical psalms, although in that location was considerable informal hymn-singing in parishes.[four] Heber originally intended to win support for their inclusion.[2] It is popular in the Anglican tradition, having appeared in the influential Hymns Ancient and Modern (1861) also equally The English Hymnal (1906) and The New English Hymnal (1986). Information technology is considered the author's best known and virtually widely used hymn,[5] and remains popular in many denominations. Information technology has been described as one of the rare hymns which appears "in just about every hymnal". It has been performed and recorded in diverse styles, by artists such as Steven Curtis Chapman, Sufjan Stevens, Hillsong United, the Choir of King'south College, Cambridge, the 2nd Affiliate of Acts and the Mormon Tabernacle Choir.[3]
Text [edit]
The text speaks specifically of the Holy Trinity,[6] [seven] having been written for apply on Trinity Sunday,[vii] although it can too be used every bit a general hymn of praise throughout the liturgical year.[3] The opening line (Holy, Holy, Holy! Lord God Almighty!) references Isaiah 6:3 and Revelation 4:8[iii] and mirrors the opening line of the Sanctus (Holy, Holy, Holy, Lord God of hosts). Described as a "reverent and true-blue paraphrase of Revelation 4:8–11" and of the Johannine vision of unending worship in Heaven, it is an example of Heber'southward dutiful endeavour to avert excessive emotionalism.[2] A defining characteristic is that the text does not "initiate praise", but is rather an invitation to join in an endless song. Poetically, it is in the long and unusual 11.12.12.10 meter, contrasting with the shorter stanzas of near preceding English hymnody, such as that of Isaac Watts or Charles Wesley. Additionally, every single line rhymes with the initial "holy".[8]
The text has a wide scope, successively referencing humans, saints, angels and all living creatures,[3] and its principal theme is the "basic belief in the Trinity", which is shared by most denominations of the Christian church despite other differences.[ix] The first stanza opens with an invitation to worship God in the morning;[1] although variants take been sometimes used to adapt the hymn for any time of twenty-four hours.[five] The second stanza magnifies the opening idea, with saints joining "in adoring the Majesty in sky". The third stanza describes some attributes of the Christian deity, while the final stanza is a climax of the preceding with "globe and heaven and sea" joining in praising the divine.[1] Variants to the original text in modern hymnals are relatively minor, mostly found in usage past non-trinitarian groups such as the Mormons – where the last line is inverse to "God in His glory, blessed Deity!" – or every bit a push for more gender inclusive language.[3]
Holy, Holy, Holy! Lord God Omnipotent!
Early in the morning our song shall rising to Thee;
Holy, Holy, Holy! Merciful and Mighty!
God in Three Persons, blest Trinity!Holy, Holy, Holy! All the saints adore Thee,
Casting downwards their aureate crowns around the glassy sea;
Cherubim and seraphim falling down before Thee,
Which wert, and art, and evermore shalt be.Holy, Holy, Holy! though the darkness hibernate Thee,
Though the eye of sinful human being, thy celebrity may not meet:
Only Thou fine art holy, there is none beside Thee,
Perfect in power in love, and purity.Holy, holy, holy! Lord God Almighty!
All thy works shall praise thy proper name in world, and sky, and sea;
Holy, Holy, Holy! merciful and mighty,
God in Three Persons, blessed Trinity![ten]
Some Unitarian hymnals likewise employed, deliberately, the same tune for "Bring, O morn, thy music" past William Channing Gannett, which has been described as a "considered response" to the Trinitarianism of the original text. It includes deliberate quotations of Heber's text, notably the repeated last line "Who wert, and art, and evermore shalt exist". This text remained pop in such denominations until recently.[11]
Melody [edit]
The tune for this hymn, Nicaea, was composed by John Bacchus Dykes for the commencement edition of Hymns Ancient and Modern in 1861.[12] [half-dozen] [7] The tune name is a tribute to the First Council of Nicaea – held by the Roman Emperor Constantine I in 325 – which formalized the doctrine of the Trinity.[6] [7] Rarely separated from the lyrics since then,[ane] [3] it has been noted as one of the composer'due south finest and shares resemblances with a 16th-century Lutheran chorale, "Wachet auf, ruft uns dice Stimme" by Philipp Nicolai.[3]
It is a good case of Victorian hymn tune writing, with "solid harmonies and subtle chromaticism." It begins with an ascending major third, which can be seen as symbolizing the Trinity. Few leaps and many repeated consecutive notes lend it a chant-like character. The 4-role harmonisation written by Dykes is usually unchanged in hymnals, though it is oft transposed down a tone from the initial Eastward major.[viii] The following setting is as it appears in The New English Hymnal:[13]
References [edit]
- ^ a b c d "Holy, Holy, Holy!". Christ Covenant Church.
- ^ a b c "Holy, holy, holy! Lord God Almighty". The Canterbury Dictionary of Hymnology. Canterbury Press.
- ^ a b c d eastward f g h "Holy, Holy, Holy! Lord God Almighty!". Hymnary.org . Retrieved 12 May 2020.
- ^ *Hughes, Derrick (1986). Bishop Sahib: A Life of Reginald Heber. Worthing, UK: Churchman Publishing. ISBN978-i-85093-043-iii. , pp. 77–78
- ^ a b John Julian, Dictionary of Hymnology (1907)
- ^ a b c Sankey, Ira David (2008) [1907]. "Holy, Holy, Holy, Lord God Almighty". My Life and the Story of the Gospel Hymns and of Sacred Songs and Solos. BiblioBazaar. pp. 364–365. ISBN0-559-33724-viii.
- ^ a b c d Osbeck, Kenneth W. (1982). "Holy, Holy, Holy". 101 hymn stories. Grand Rapids, Michigan: Kregel Publications. pp. 94–95. ISBN0-8254-3416-five. OCLC 7875830.
- ^ a b Nelson, Stanton. "History of Hymns: "Holy, Holy, Holy! Lord God Almighty"". United Methodist Church building. Retrieved 18 May 2020.
- ^ Banks, Adelle M. (2019-07-19). "Hymn society tournament reveals 'greatest hymn of all time'". Religion News Service . Retrieved 2019-07-24 .
- ^ Hymns Ancient and Mod (1861). London: Novello & Co. #135.
- ^ Watson, John Richard. "Bring, O morn, thy music". The Canterbury Dictionary of Hymnology. Canterbury Printing.
- ^ Brown, Theron; Hezekiah Butterworth (2008) [1906]. "Holy, Holy, Holy! Lord God Almighty!". The Story of the Hymns and Tunes. BiblioBazaar. p. 66. ISBN0-554-25576-half dozen.
- ^ "The New English Hymnal folio 328". hymnary.org.
External links [edit]
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Works related to Holy, Holy, Holy! Lord God Omnipotent at Wikisource - "Holy, Holy, Holy! Lord God Almighty!" on YouTube, sung by the Choir of King'due south College, Cambridge
Source: https://en.wikipedia.org/wiki/Holy,_Holy,_Holy%21_Lord_God_Almighty
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